asylum-art:

Sarah A. Smith’s Corroded Gold Leaf Drawings
Saatchi Art
Sarah A. Smith creates shimmering gold drawings with a combination of gold metal leaf, corrosive, ink, and pencil on paper. After she arranges the metal leaf that was mined and manufactured in China, she brushes it with copper sulfate, causing a chemical reaction that tarnishes and corrodes the gold metal along the surface of the . In the natural environment, this erosion process can take hundreds of years to complete. “The oxidation illustrates pollution, disintegration, transformation of elements, changes, and the passage of time,” Smith says. The result is an incredibly detailed and textured series that while extravagant is also evocative of restraint because it emerges from a process of decay.
Zoom Info
asylum-art:

Sarah A. Smith’s Corroded Gold Leaf Drawings
Saatchi Art
Sarah A. Smith creates shimmering gold drawings with a combination of gold metal leaf, corrosive, ink, and pencil on paper. After she arranges the metal leaf that was mined and manufactured in China, she brushes it with copper sulfate, causing a chemical reaction that tarnishes and corrodes the gold metal along the surface of the . In the natural environment, this erosion process can take hundreds of years to complete. “The oxidation illustrates pollution, disintegration, transformation of elements, changes, and the passage of time,” Smith says. The result is an incredibly detailed and textured series that while extravagant is also evocative of restraint because it emerges from a process of decay.
Zoom Info
asylum-art:

Sarah A. Smith’s Corroded Gold Leaf Drawings
Saatchi Art
Sarah A. Smith creates shimmering gold drawings with a combination of gold metal leaf, corrosive, ink, and pencil on paper. After she arranges the metal leaf that was mined and manufactured in China, she brushes it with copper sulfate, causing a chemical reaction that tarnishes and corrodes the gold metal along the surface of the . In the natural environment, this erosion process can take hundreds of years to complete. “The oxidation illustrates pollution, disintegration, transformation of elements, changes, and the passage of time,” Smith says. The result is an incredibly detailed and textured series that while extravagant is also evocative of restraint because it emerges from a process of decay.
Zoom Info
asylum-art:

Sarah A. Smith’s Corroded Gold Leaf Drawings
Saatchi Art
Sarah A. Smith creates shimmering gold drawings with a combination of gold metal leaf, corrosive, ink, and pencil on paper. After she arranges the metal leaf that was mined and manufactured in China, she brushes it with copper sulfate, causing a chemical reaction that tarnishes and corrodes the gold metal along the surface of the . In the natural environment, this erosion process can take hundreds of years to complete. “The oxidation illustrates pollution, disintegration, transformation of elements, changes, and the passage of time,” Smith says. The result is an incredibly detailed and textured series that while extravagant is also evocative of restraint because it emerges from a process of decay.
Zoom Info
asylum-art:

Sarah A. Smith’s Corroded Gold Leaf Drawings
Saatchi Art
Sarah A. Smith creates shimmering gold drawings with a combination of gold metal leaf, corrosive, ink, and pencil on paper. After she arranges the metal leaf that was mined and manufactured in China, she brushes it with copper sulfate, causing a chemical reaction that tarnishes and corrodes the gold metal along the surface of the . In the natural environment, this erosion process can take hundreds of years to complete. “The oxidation illustrates pollution, disintegration, transformation of elements, changes, and the passage of time,” Smith says. The result is an incredibly detailed and textured series that while extravagant is also evocative of restraint because it emerges from a process of decay.
Zoom Info
asylum-art:

Sarah A. Smith’s Corroded Gold Leaf Drawings
Saatchi Art
Sarah A. Smith creates shimmering gold drawings with a combination of gold metal leaf, corrosive, ink, and pencil on paper. After she arranges the metal leaf that was mined and manufactured in China, she brushes it with copper sulfate, causing a chemical reaction that tarnishes and corrodes the gold metal along the surface of the . In the natural environment, this erosion process can take hundreds of years to complete. “The oxidation illustrates pollution, disintegration, transformation of elements, changes, and the passage of time,” Smith says. The result is an incredibly detailed and textured series that while extravagant is also evocative of restraint because it emerges from a process of decay.
Zoom Info
asylum-art:

Sarah A. Smith’s Corroded Gold Leaf Drawings
Saatchi Art
Sarah A. Smith creates shimmering gold drawings with a combination of gold metal leaf, corrosive, ink, and pencil on paper. After she arranges the metal leaf that was mined and manufactured in China, she brushes it with copper sulfate, causing a chemical reaction that tarnishes and corrodes the gold metal along the surface of the . In the natural environment, this erosion process can take hundreds of years to complete. “The oxidation illustrates pollution, disintegration, transformation of elements, changes, and the passage of time,” Smith says. The result is an incredibly detailed and textured series that while extravagant is also evocative of restraint because it emerges from a process of decay.
Zoom Info
asylum-art:

Sarah A. Smith’s Corroded Gold Leaf Drawings
Saatchi Art
Sarah A. Smith creates shimmering gold drawings with a combination of gold metal leaf, corrosive, ink, and pencil on paper. After she arranges the metal leaf that was mined and manufactured in China, she brushes it with copper sulfate, causing a chemical reaction that tarnishes and corrodes the gold metal along the surface of the . In the natural environment, this erosion process can take hundreds of years to complete. “The oxidation illustrates pollution, disintegration, transformation of elements, changes, and the passage of time,” Smith says. The result is an incredibly detailed and textured series that while extravagant is also evocative of restraint because it emerges from a process of decay.
Zoom Info
asylum-art:

Sarah A. Smith’s Corroded Gold Leaf Drawings
Saatchi Art
Sarah A. Smith creates shimmering gold drawings with a combination of gold metal leaf, corrosive, ink, and pencil on paper. After she arranges the metal leaf that was mined and manufactured in China, she brushes it with copper sulfate, causing a chemical reaction that tarnishes and corrodes the gold metal along the surface of the . In the natural environment, this erosion process can take hundreds of years to complete. “The oxidation illustrates pollution, disintegration, transformation of elements, changes, and the passage of time,” Smith says. The result is an incredibly detailed and textured series that while extravagant is also evocative of restraint because it emerges from a process of decay.
Zoom Info
asylum-art:

Sarah A. Smith’s Corroded Gold Leaf Drawings
Saatchi Art
Sarah A. Smith creates shimmering gold drawings with a combination of gold metal leaf, corrosive, ink, and pencil on paper. After she arranges the metal leaf that was mined and manufactured in China, she brushes it with copper sulfate, causing a chemical reaction that tarnishes and corrodes the gold metal along the surface of the . In the natural environment, this erosion process can take hundreds of years to complete. “The oxidation illustrates pollution, disintegration, transformation of elements, changes, and the passage of time,” Smith says. The result is an incredibly detailed and textured series that while extravagant is also evocative of restraint because it emerges from a process of decay.
Zoom Info

asylum-art:

Sarah A. Smiths Corroded Gold Leaf Drawings

Saatchi Art

Sarah A. Smith creates shimmering gold drawings with a combination of gold metal leaf, corrosive, ink, and pencil on paper. After she arranges the metal leaf that was mined and manufactured in China, she brushes it with copper sulfate, causing a chemical reaction that tarnishes and corrodes the gold metal along the surface of the . In the natural environment, this erosion process can take hundreds of years to complete. “The oxidation illustrates pollution, disintegration, transformation of elements, changes, and the passage of time,” Smith says. The result is an incredibly detailed and textured series that while extravagant is also evocative of restraint because it emerges from a process of decay.

Kicked off my shoes tripped acid in the rain, wore my jacket as a cape and my umbrella as a cain

Chance the Rapper